Monday, May 19, 2008

parking lot show

My friend Ashley recently gave me a video she recorded in April 2007 when I played a short acoustic show in the parking lot of Chain Reaction in Anaheim for a handful of people that missed our set.  I put a couple songs online.  


Georgia, Can You Hear Me?


The Sun


Dead Cliche



MAN that feels like a long time ago. I don't even wear that sweater anymore.

Sunday, May 18, 2008

Videos!

While running errands and getting settled yesterday, I finally remembered to buy a cord to connect my video camera with my computer so I can post some videos from the studio (fingers crossed that I have the camera running when anything interesting is happening).

When I got home, I started digging through a couple tapes of old tour footage. There is a lot of moving highway, fields and trains and bridges and buildings drifting by through dirty windows, but I managed to find a few gems. I figure I'll post those over the next few days.

Here is comedian/rapper MC Chris sharing his feelings on STN:
(from our tour with him, and Piebald, March 2007)

Friday, May 16, 2008

this is it

I woke up in the city this morning and walked out through the streets, all still trashed from the night before, from all the people blown in by the heat wave, flooding the sidewalks, yelling and laughing and stumbling, still in their beds as I woke, dangling on the last few threads of sleep before the alarm came slashing through.... 


I passed the meter maids making first rounds and unlocked my car, the sound of metal gates raising around me.  I was on no coffee, little sleep, and every sound, every image, every sensation, had such resolution, such vivid importance.  The sun broke through between the buildings and splashed on my dirty windshield.  Chinatown was bustling and the gears downtown were just beginning to turn.  I rolled the windows down and the morning was still cool, still waiting to burst, and on the bridge, the bay shimmering and the haze rising to each side, I reminded myself that a good moment, no matter where or when, is the best of what life has to offer.

Then, back in the east bay, I slept, and then I packed everything, and made the rounds again and again, looking for anything that I might want to have with me, anything I couldn't live without, but most everything I need never leaves my suitcase, I never fully unpack.  I have my guitars, and my computer, and the few clothes I actually wear.  There isn't much else.  

Looking around, I saw the big piece of poster-board leaning up against a wall, passes stuck to it from the days I worked in the kitchen at The Fillmore, lists of songs from the last five years with notes beside them, a list of record labels that had called about Charmingly Awkward, all besides Capitol crossed out, and notes scrawled long ago in permanent pen with such determination, such need, now making little sense.  All of this seemed so distant, but it reminded me that I am doing what I had set out to do.  The meaning of that gets lost in the routine.  It shouldn't, but it does.

I'm in LA now.  This is it.  I'll be here for the next four or five or six weeks - until the record is finished.  I drove all afternoon and evening, the same old drive, and arrived and unloaded into my sublet, and now as I write this, the resident dog is curled up beside me on the bed.  I had made calls.  There are options.  There are bars, and parties, and laughing voices carrying in through the window, but I'm exhausted.  I'm going to sleep.

Thursday, May 8, 2008

the parenthetical year

I have to write one more song for this record.  I have declared several times that I am finished writing it, but the problem with taking a year make an album (for so many reasons I had not expected), is that you change so much in the course of a year.  Everything from my taste to my outlook on life has changed a bit each day, and I want to say it all!  And right now I know that I have one more song to write, and that is a happy song.


When I was a kid, a year was such a long time.  I can hardly express it, but I feel like I lived a lifetime before being enrolled in kindergarten, and I feel like another lifetime passed as I made my way through each school year, doggedly trying to wake up each morning, worrying about the trivial things, the tests and assignments that came and went and came again and went again, and when spring hit, keeping track of the days, and minimum days, and holidays, left in the school year, and graduating and going off to college, and going on tour, and changing schools and quitting school, and recording, and getting flown around the country and then touring for a full year, and then...

...at the beginning of June, last year, it was over.  That stretch.  They say you have your whole life to write your first record, but what they don't tell you is, once you've finished that record, and the cycle on that record, that life is over.  And come last June, when I was spit out of it, the time that had once moved so slow, began to race. 

I was left with only one direction to begin this next stretch.  It was time to make a new record, that's all.  I didn't know where to live, or where to begin, and I had all of these songs that I had written on the road, all of these songs that had been outlets for things I couldn't express in a van with people I had to be civil with, all of these songs that had been little exorcisms of all of these feelings that came from all these elements that were out of my control.  All of these angry little songs.  I didn't think they were angry at the time, but my friends did, and my management did, and none of those people ever offer criticism of my stuff unless they really think I need to hear it.  I listened to my year-old demos a little while back.  Man! I was pissed off.

Now, I think I'm entering that next phase of life, the phase I've heard 'adults' talk about for so long, the phase where you blink and a decade has passed, cause I don't know where the hell this last year went.  And if my existence were a short paragraph, for the last twelve months I've been stuck in parentheses. I've just been getting everything together, cutting the fat, laying a new foundation and setting new goals.  I've done and seen and experienced so much, but I don't yet have anything to show for it.  Sometimes it just takes a while.

That is sort of a drag, but there is so much I enjoy about right now.  I like that things are no longer black and white.  I see that everyone ends up in the same place in the end and no one knows when they'll get there, so it isn't about where you end up, it's about where you are now, and how you feel about where you are.  

A year ago, I felt like a failure, for reasons that were beyond my control.  Now I realize that within any defeat there will be a thousand little victories, and within any victory there are bound to be a million little defeats.

Nothing is ever one thing.

I don't know why it took me so long, but now all that is so clear to me, how everyone is influenced by so so many forces and no one has a real clue why they do anything they do, that they are not so much thinking about what they think of me, but more thinking about what I think of them (just like me!).  We spend so much time trying to be different, but are so concerned if we do or feel something that might be abnormal.  We hardly know ourselves.

AND we make up rules, long for guidelines to govern something so abstract as human life and interaction.

AND you always know when you're fucking up, but sometimes you need to fuck up.

All of this makes me feel pretty good about being anywhere, and doing anything as long as it feels right for me.  I needed to hang out in the parentheses for a little bit, and I think that I am almost out of the woods, but you never know.

Okay. I'm going to go work on this happy song, I have about a week before my final stint in the studio.  It has to be good.

!!!!!

Wednesday, May 7, 2008

climate change

I found myself at Town Hall one night last week seeing a few authors read - in fact, nearly every day I managed to see a reading or discussion thanks to the PEN World Voices Festival - but my favorite moment had to have been that night, when Ian McEwan read what he called a piece of "pre-fiction," about living in the Arctic as part of the Cape Farewell project.


Its a pretty funny yet pretty reasonable piece on coping with climate change.

You can read it HERE

"We must not be too hard on ourselves. If we were banished to another galaxy tomorrow, we would soon be fatally homesick for our brothers and sisters and all their flaws: somewhat co-operative, somewhat selfish, and very funny. But we will not rescue the earth from our own depredations until we understand ourselves a little more, even if we accept that we can never really change our natures."

Thursday, May 1, 2008

brooklyn library

Taking advantage of the free wi-fi at the Brooklyn Public Library while I'm waiting for an event to start, I figure I should do a blog post.  


It has been a year since I've been in New York, well almost a year, and it feels like no time has passed.  For a place that is constantly moving and changing, constantly under construction, being torn down and rebuilt, it hasn't strayed too far from where I left it.  A few places are closed, a few places are more gentrified, a few scaffolding structures have moved a little to the left or right, but overall it is the same.
 
My head is flooded though, by memories from my previous moments here.  I keep stumbling upon places I have revisited so often in memory but not in person over the last months...

oh, its starting... the reading I'm at...

I'll finish this thought later.

Friday, April 25, 2008

bear with me

Sorry for the lack of posts.  The things I've been thinking through in the last few weeks have been a little too personal, I guess, a little too, "what does it all mean?," even for me (I know!), to post, or if they are band related, they would ruin a surprise I have dreamed up for later this year, or next year, or 2010 if all goes well.


I'm flying to new york next week and staying until, well, I don't know.  Maybe until mid-May, when I return to LA for the final big session for this record I have talking about for...

a year?

almost.

damn

I'm sure I'll have interesting things to relate from there.


Wednesday, April 16, 2008

cheesy emo song

It is interesting how the current state of the internet allows people who wouldn't otherwise have a loud voice to have their opinions heard, while also giving them the safety of relative anonymity.  No one has to earn the right to voice their opinions on the internet, there is no editor, no one watching the gates.  That is a huge thing.

YouTube always seems to be the worst with this.  I see some of the most disturbing things said about some videos, often times filled with brutal bigotry.  Generally I see heated discussions over things so trivial that I laugh in astonishment.  I've never seen myself at the heart of any of those discussions until today, though, when I happened upon a YouTube video of myself playing Famous Blue Raincoat in October 2006 (probably my personal favorite of the ones up there, save for my haircut, though if you search Street to Nowhere on that site, the results are pretty disappointing, and I'm going to work to fix that when I can).

I found that people had been posting comments about the video and someone very passionate about Leonard Cohen - most likely as passionate as myself, which would lead me to believe we'd be great friends - posted some heartfelt criticism of the performance.  

I have rarely had this sort of thing directed towards me.  STN is niche enough that people seem to either be into the music or ignore it, and that is totally cool.

So you may understand that I felt mixed emotions being at the center of a very brief youtube comment discussion.  At first I was excited by it, and laughed, and then it hurt just a little - how could it not? - but then I laughed again, and was really touched that people came to my defense, especially the person with the handle, LeonardAndNickFan.  I can only assume that the Nick refers to Nick Cave, which means that person is just plain awesome. 

- The comments are below the video -



smpl187 (1 month ago) -1 Reply | Spam
This guys voice is terrible, he cant play the song properly, and turns something with so much integrity into a cheesy emo song.
He sucks.

colm144 (3 weeks ago) 0 Reply | Spam
he has an incredible voice, sure hes no leonard cohen as regards delivery of felling and emotion,
but he does the song justice,
i think it works well as an emo song,
just goes to show how adaptable cohens work is.

smpl187 (3 weeks ago) -1 Reply | Spam
He is singing in a key that he cant hold...his voice sounds strained at points, and he goes off tune. He doesnt even finger pick the guitar.
Next he is going to do suspicious minds by Elvis im sure, and because of his high voice and fake emotions it will be praised like this one.

garymgarino (3 weeks ago) 0 Reply | Spam
Wow--what a hater! I'd like to hear you post a cover of a Cohen song and do better than Street to Nowhere, if your voice is so damn good

smpl187 (1 week ago) 0 Reply | Spam
You are a bit slow I take it? At no point did I say I have a good voice. The fact is...my musical talents dont really matter at this point. This boy has made my favorite song sound bad. Why are all of you people so interested in his defense?

LeonardAndNickFan (1 week ago) -1 Reply | Spam
Did you say... ahem... Cheesy emo song?????? Ohhhh, noooo, no you didn't!! C'mon!! This song could be sung by rabid hyenas and still not sound in any way bad!! Christ, this is one well-written tune!! I admire little spikey haired dude's enthusiasm!! He's giving it a go, eh??!! He's carrying the message!! And, what a GREAT message it is! Fabulous song, lovely attempt... not to match Lenny's version, but still lovely!! Powerful!!

gmanfive0 (2 days ago) 0 Reply | Spam
I am going to agree with smpl here. The delivery is way off, the emotion isn't there...it's way too emo and Cohen didn't do it with that in mind. His voice IS strained & sounds much more angry than Cohen meant for it to be, & he beats the hell out of the guitar! Cohen's delivery is more anguish/anger and down right pain. This guy is...no, it's not there.

I am a musician and I understand interpretation but this...is just crap. This guy just needs to go cut himself maybe he will feel better then.

--------------

Now, cutting myself has never seemed like a very rational way to deal with my problems. Usually the easiest way for me to feel better is to pick up the guitar and play a song I love - often times it is a song written by Leonard Cohen. 

Though, as my father told me when I received my very first negative review years ago, "There's no accounting for taste."
I'm gonna go work on my video for Suspicious Minds now - that was a great idea.

Thursday, April 10, 2008

looking for parking

I thought about this today while driving.

Life is sort of like looking for parking. You circle around and around again until you can find a spot for yourself. Sometimes you get a great spot, sometimes you aren't exactly where you would have liked to be. Sometimes you have a few choices and you have to weigh the options. Sometimes you have to move at a certain time and sometimes you have to pay, but it is never permanent and a bad parking space can only haunt you for so long.

Wherever you park, you are running a risk, and if you're in a bad neighborhood you know that the likelihood of putting yourself in a bad place is higher, maybe your car will get broken into, but maybe that is where you need or have to be. Other times seemingly safe spots go bad. My friend recently had his stereo jacked from his car while it sat overnight in the parking garage in his building. You never know when you're headed for a breakdown, when life is going to ask more from you than you'd like to give. You have to learn from experience and put yourself in places that seem good for you.

Sometimes you worry about your parking space, and other times you forget where you parked. In the end the worry is useless. If you got a ticket, its already sitting there on the windshield.

And sometimes you park somewhere you've parked many times before. Sometimes you park somewhere you never expected to be again. Sometimes there is a great purpose, and other times you are just pulling over to stretch your legs. Sometimes there is a great distance between spaces and sometimes you're just pulling around the bend.

I've parked so many places in my life, for so many reasons, and in the end, I always end up starting the engine again and driving off to the next spot.

Wednesday, April 2, 2008

Brilliant

Some friends of STN, Brilliant Red Lights, just unveiled their new website.  It features something like 60 recordings you can download for free.  That is everything the band has ever recorded, including demos, promos, their last full length, and a brand new EP mixed by Matt Radosevich (who produced, engineered, mixed, and played most of the instruments I couldn't play- which is most of the instruments - on Charmingly Awkward).


I think it is a really cool idea.  Something to check out.

Tuesday, April 1, 2008

eating and drinking and talking

I'm reading The Sun Also Rises.  I've read it before, in high school, and I hated it.  I tried it again a couple years ago and I lost interest pretty quick.  This time around I am loving it.


During my first reading, my big complaint was, "They just have coffee and get drunk and talk and that's it!"  

That is precisely the reason I love it now.

I was walking through The Mission the other night with a buddy of mine.  We had met for coffee downtown, and ended up somewhere near there for dinner, then made our way to a bookstore where we both lost track of one another for maybe an hour.  Then, later, walking through the cold, across a vacant 25th street en route from one coffee shop to another, still without any goals set for the evening, I told him what I just said about The Sun Also Rises.  I started going on about how much our own days are like that. It is all wandering and consuming caffeine and alcohol and meals, expelling language that in the end doesn't really amount to anything.  People get sore, people get hyped up, people fall in and out of love and lament and laugh and lament again and again and each day we're older and each day we have more things to talk about (I feel like the cornerstone of conversation in friendship is shared experiences), and that is the real meat of living.

I want to sing like every amazing singer I hear.  I want to write like every amazing writer I read. I want to move people the way I get moved by the people that move me.  I don't know if I want to live like anyone else though.  I'm not sure that is something you can really strive for. There are certainly people that live more ferociously, more for the moment than I do these days.  I've been more cautious as of late and sometimes I worry that I am losing my edge.  But I think that is just a change in what I want out of each day, a change in the things that bring me happiness. Ultimately the person that you are from one moment to the next dictates the sort of life you lead.

I think it is a cool thing that as you go on through life eating and drinking and talking, everything around you and inside you gradually changes, and you slowly slip from one setting, one dilemma, one state of mind to the next.  Your desires change and bring you different places and to different people, whether you are pushing them or not.  

And there are the common threads that you bring with you that keep you being you - the color of your eyes and the color of your personality, all of the memories that have stacked up over the years.  That's pretty cool too.

There is an up side and a down side to each age and place and interaction.  Seeing the good or the bad every time just depends on the sort of person you are.




Sunday, March 30, 2008

makes me cry

Somehow I quoted this verse in two separate conversations today (er... yesterday):


And I'm broke, like a bad joke
Somebody’s uncle told at a wedding reception in 1972
Where a little boy under a table with cake in his hair
Stared at the grown-up feet as they danced and swayed
And his father laughed and talked on the long ride home
And his mother laughed and talked on the long ride home
And he thought about how everyone dies someday
And when tomorrow gets here, where will yesterday be
And fell asleep in his brand new winter coat


--The Weakerthans, "Reconstruction Site" 
 

Saturday, March 29, 2008

time off

It has been a while since I've posted.  Sorry about that.  I just needed a break from everything. I'm back in the Bay Area with the month of April off and I'm decompressing.  Things have been intense for me for a little while and this last week has just been a big sigh of relief.


I've been to a couple shows this week to see some friend's bands and I've often been faced with the question of when I will be finished recording and when the album will be released.  The real answer is I have no idea, things take me a long time.  I am picky, a control freak, a perfectionist, pretty obsessive, and totally not willing to settle when I know I can do better.  It will be done when I think/know it is done, and I will address the release when that time comes.

I think that the answer I have been giving, though, is pretty realistic.  I have been telling people the album will be finished this summer and released early next year.  It is quite possible it will be sooner, but as I said, things just take me a long time.

Saturday, March 22, 2008

Audrye Sessions

...were kind enough to drop by and record some background vocals on their way home after the final show of their tour.  They looked great and were in high spirits for just having spent a month on the road.


I snapped a couple shitty pictures:




Tuesday, March 18, 2008

end of the day

Monday, March 17, 2008

my view today, all day

Saturday, March 15, 2008

loner

Nearly everyone I know in Los Angeles is at SXSW this week. It's pretty strange to be in a city that is essentially a second home, where I've always taken for granted the multitude of friends and acquaintances and things to do and places to go, and to suddenly find myself a loner. I guess it has been a blessing in disguise. though. I've had no distractions, and have been able to focus more than ever on pre-production, which is going really well. The songs are starting to really pop. I've also devoured a novel and a half in the last four days at sunny tables outside various coffee shops. That's always a good feeling.

Last night, around ten or eleven, I got an itch to go out. I texted a friend and asked for a recommendation, something in the midst of the splashing lights and rattling conversation of Hollywood that I could do by myself on a Friday night. Something that wouldn't be lonely. She suggested I go and read at a dark coffee shop a little ways out from the belly of the beast, and I took her up on the suggestion. After parking my car though, and gaping upwards at Scientology's Celebrity Center, after walking past a block full of carousers pouring out in to the street from various restaurants and bars, after walking in and finding the place calm and empty save for a scattering, I turned around in the doorway and marched back to my car, throwing my book on the passenger seat and driving back to the apartment I'm staying at.

Going to the bar alone always seems like a dreary prospect. I thought about it, picturing myself perched on a stool leaning quietly over the bar, all spattered in liquor, stabbing my drink with a straw, and it seemed pretty damn depressing. But sitting there in the empty apartment, alone in the sprawling city, I thought to myself, what's the harm in seeing what happens. I was in the mood for a drink, and felt like having a conversation or two, about anything, with anyone. I said, "fuck it," and walked a few blocks to the nearest and least intimidating place, and stood in line to get in.

Two hours later, as I stumbled home after last call, I laughed and laughed to myself. I hadn't realized how perceptive people are to another's solitude, and in an alcohol soaked room, one of the few places people feel fine approaching strangers, I got effortlessly invited to join two separate groups of people, the first of which brought me in before the bouncer had even checked my ID. When they asked if I was there alone, I didn't have to explain much at all before I had been introduced around, bought shots, made to feel more welcome than I was comfortable being. Certainly I can't remember much of consequence that was discussed, but it was really the mere act of talking of clinking glasses that I was looking for. When I felt I had overstayed my welcome with the first group, I wandered off to write a drunken text message, only to be pulled immediately in with another gathering.

People surprise me sometimes.

Wednesday, March 12, 2008

Leonard Cohen's

US tour dates NEED to get announced.

the anticipation is totally fucking me up.

Tuesday, March 11, 2008

one stretch of freeway

I'm back in LA. Driving down last night, I asked Ashley where we should meet. I'm staying at her place while she is off at SXSW this week. She asked me to meet her over in Santa Monica, at the Universal building, where she was still busy at work though it was nearing 8pm.

Its been a while since I've been on that side of town, especially arriving from up north. I tend to take the 101 off of the 405 and wind up in Hollywood where the Capitol Records building rises up and evokes all sorts of emotions, but this time I kept down the 405 and passed beneath The Getty Museum, shining up on the hill across the freeway from Bel Air.

A stream of memories came to me as I sped down that stretch. First it was a clip from sometime in my earlier childhood. I was stuffed deep in my parent's station wagon with my brother and bags and bags of clothes and toys and gifts, and we were headed down to my Grandparent's house for Thanksgiving. There was an accident there under The Getty, and traffic was stopped for miles. In the dark I remember vividly the splash of light from the headlights of the wrecked car in the third lane, the metal all bent back, and the glass all shattered across the pavement as we drove around it.

Then I thought about visiting the Museum with my grandparents a few years later. They are both now deceased and buried on the other side of Hollywood. It was a big deal to the family to see it, and to see it together. I cant remember much of the art. I want to say that I saw a few Van Goghs but I don't know. I just remember talking with my father as we walked along the concrete courtyards between the buildings. I remember a feeling of importance to the night.

I tried to visit another time, during that quick moment that I attended UCLA. My girlfriend was an art student and we planned to make a day of it, only to get in my car and up to the parking lot, to find it closed. We ended up driving around aimlessly through Bel Air and Beverly Hills looking at the huge houses and shiny cars, and I remember what she was wearing on that day and that she was more beautiful than on any other.

I've passed it a few times since, but it's been a long time. Even when I stopped going to school over there I would stay with friends in that area while we recorded Charmingly Awkward, and I remember the frustration, the nights where I just couldn't get to sleep on the couch, where I kept tossing around with ideas and concerns and excitement.

And right now it's just like that, only on a different side of town, on a different couch, and with a different set of songs and their own set of concerns. It still feels like life or death. It's funny how everything can change and it will all still feel the same.

Sunday, March 9, 2008

spring forward

What the fuck? How did this happen already?!